Exhibition
The exhibition utilizes the symmetry of the pavilion designed by Josef Hoffmann. Visitors enter the now closed passageway and are led into the courtyard. On one side of the pavilion, they experience the Vienna system, on the other the Rome system. Learning from both cities and systems is negotiated in the courtyard of the pavilion, where a platform – the “space of negotiation” – invites discussion and mutual exchange.
Both parts of the pavilion begin with films that tell “mythical” stories of the cities and their approach to housing, land policy, and urban space. The two large exhibition rooms present different situations and themes in Vienna and Rome that relate to history, specific places, organizational forms, initiatives, and spaces.
VIENNA
The Vienna system is analyzed on the basis of nine stations: photographs show urban and communal spaces in daily use, accompanied by excerpts from films from various decades. Infographics and diagrams illustrate factors such as Vienna’s comparatively low rents or the structures of certain buildings with specific spatial programs. Current developments are conveyed via new neighborhoods, such as the Sonnwendviertel, the Nordbahnhof area with its Wilde Mitte, and Per Albin-Hansson-Siedlung, as an example of how to deal with existing buildings.
In addition to this, there are topics from the city’s history that have had a strong influence on its extraordinary quality of living, such as the comprehensive gender planning established in 1998. Or individual pioneering projects like the Sargfabrik, a self-organized, experimental residential project that has acted as a role model for housing across Vienna.
ROME
Rome presents evidence of the struggle for living, adapting, and transforming the ruins of the present, both abandoned places and planning failures. The modern history of the city is reviewed from this perspective and summarized in a work that tells the story of the struggle for living in the form of “Trajan’s Column.”
Seven contemporary examples show various forms of self-organization and resistance by civil society that have shaped different ways of innovative common living. These experiences are represented in the pavilion as a collective narration constructed with and thanks to the many people who animate, build, imagine, inhabit, and share the great world of self-organization and who struggle, day by day, for a BETTER LIVING. This story of their struggle for a BETTER LIVING that they all make possible is summarized in the work that adopts the sculptural form of a fragment of the column.
Lago Bullicante is an example of the co-evolution of a neighborhood community and a spontaneous process of renaturalization of a former viscose factory, where, in 1992, an attempt to illegally build a shopping center resulted in the breaching of the water table and the creation of a natural lake. The efforts of the local community to protect this place from speculation eventually led to this unique natural environment being awarded the status of a nature reserve. Ararat is the informal embassy of the stateless Kurdish community. It has hosted collaboration between social movements, refugees, and artists for a quarter of a century and the spectacular Newroz celebration takes place here every year. Spin Time, a former public office building, Porto Fluviale, a former military barracks, Metropoliz, a former meat factory, Quarticciolo’s former police station, and 4 Stelle, a never completed hotel, have all been occupied by housing rights movements and now, after a decade of collective inhabiting of these places, some very complex social and spatial shapes have emerged. They are home to a highly innovative coexistence between different cultures and a mix of housing, social, and cultural uses.
Spin Time, the only remaining downtown occupation, where around 150 families from 27 countries live together in 21,000 square meters, contains a theater, a museum, after-school care for children, art workshops, social and medical facilities, a barber’s shop, and a restaurant. A large map of Rome and the “reuse” of a model of Corviale (a housing complex from the 1970s) as an archive of places – both created by the collective Stalker (Rome) in collaboration with IURmap and Scomodo – indicate the location and history of 100 ruins. These have either been
renaturalized, occupied as a result of the housing crisis, or used for social and cultural purposes – or they remain abandoned and in search of a potential function.
INSTALLATION IN THE COURTYARD
Place of Negotiation
The plateau in the courtyard invites visitors to take a rest and join the discussion. Here, the agendas for a BETTER LIVING should be negotiated around an open center. The form interprets a kidney-shaped pool that was designed by Josef Hoffmann in 1954 and remained for several years in this position as part of the sculpture garden. The now dry pool is recreated from a loose arrangement of brick, the material from which both Vienna and Rome were built. The bricks, which were manufactured close to Venice, will be returned to the cycle of housing production following the Biennale.
Plants are set into the plateau. These are climate change “winners,” plants that are able to withstand the temperatures forecast for Vienna and Rome. At 25 m2, the area of the plateau matches that of a residential unit in the One-Kitchen House and cluster apartments in Vienna or a former office unit in Santa Croce/Spin Time in Rome. This is also the per capita requirement for climate-friendly living space, as long as additional space is available for commons.
ARMIN LINKE
Position Papers, Places of Planning, and Self-Organization
Photo series, 2024 / 2025
A work by the artist Armin Linke (I, DE) is installed in the covered area of the pavilion’s courtyard. The photographic essay was created as a participatory photographic observation during field research in Vienna and Rome (December 2024 - February 2025). It displays photographs of spaces of negotiation, team building, planning, administration, and selforganization. The project explores the complicated dynamics of legal and economic engineering, legal development, community building, exchanging ideas, and social interdependence.
In Vienna, for example, the office of the City Councilor for Housing was photographed, as were housing promotion and research offices and the offices of wohnfonds_wien, but also the offices of pioneering projects such as the Sargfabrik or the neunerhaus. In Rome, Armin Linke photographed the process and the places represented in the pavilion but also the planning office and the site at Porto Fluviale, where the collaboration between the municipality and the housing rights movement is becoming reality. The photographs are mounted on placards reminiscent of those used at demonstrations, such as the numerous demonstrations that have been held during the fight for affordable housing in Rome.